Hyperschwarm is a series of 3 triple channel generative media installations, each consisting of 3 4 minute videos in 4k UHD resolution. Hyperschwarm is an update of the Schwarm series, which uses the same generative system with the difference that the color composition is being generated from within instead of being pre-defined. The colors are re-generated at specific intervals during the execution of the software, shifted in hue over time and faded over the last set that was drawn onto the canvas. The installation is evolving slowly over time, revealing new colors through the particles that flow across the canvas. Each set has 3 different scales at which the points flow across the drawing surface at varying opacities.
Hyperschwarm is a digital representation of a triptych, which is a three-paneled piece of art, commonly found in the world of painting and art installations. This particular piece called “Hyperschwarm” by Andreas Nicolas Fischer, is a generative video installation, which is created by a system that autonomously generates the visuals through the use of algorithms.
The panels are vibrant and full of swirling colors, resembling the fluid, dynamic motions often found in natural phenomena such as the movement of fluids, the flocking of birds, or the swarming of insects. Each panel is a feast for the eyes with a complex interplay of colors blending into each other, creating a sense of depth and movement. The colors range from fiery reds and oranges to cooler blues and purples, with patches of green, yellow, and other hues intermixed, suggesting both harmony and chaos within the natural world.
The piece evolves in real-time or through a predetermined sequence, offering an ever-changing visual experience that defies static interpretation. It is a digital canvas that explores the intersection of art, technology, and nature, inviting viewers to interpret the flowing forms and colors that emerge and dissipate across the panels. The installation’s title, “Hyperschwarm,” hints at an enhanced or exaggerated state of swarming, suggesting a sensory-overloading experience of being surrounded by intense, collective movement.
The generative art installation consists of a triptych, three separate panels that together form a cohesive visual narrative. Each panel is alive with an abstract interplay of colors and organic shapes that seem to undulate and flow dynamically, suggesting constant motion. The color palette is rich and varied, with bold reds, deep blues, purples, vibrant oranges, and muted greens swirling together to create a visual effect that is both chaotic and harmonious.
The contours and the color gradients give the impression of a fluid, almost liquid motion, as if each panel captures a frozen moment of a larger, unseen dance of colors. The artwork evokes a sense of organic growth and transformation, reminiscent of natural processes such as the blooming of flowers or the complex patterns of weather systems.
The visual style is reminiscent of marble patterns or the intricate details of a Rorschach inkblot test, inviting viewers to project their own interpretations onto the fluid shapes. The installation’s generative nature means that it likely uses software algorithms to create these patterns, resulting in a unique and ever-changing piece of art that never repeats itself. The frames are designed to highlight the continuity between the panels, emphasizing the seamless flow of colors and shapes across the boundaries of each individual piece.
The work features three vibrant panels that are each marked by a dynamic and fluid interplay of colors. The left panel bursts with warm tones of pink, red, and yellow that flow into each other like the petals of an opening flower. The central panel serves as a stark contrast with its deep black void surrounded by an eruption of reds and yellows, suggesting a volcanic energy or a nebulous creation in space. The right panel cools down the composition with blues, greens, and purples cascading together, reminiscent of ocean depths or the plumage of an exotic bird.
The movement in the artwork is accentuated by the sweeping gestures of color that suggest vigorous brush strokes despite their digital origin. The colors are layered with a depth that gives the sense of a three-dimensional space, inviting the viewer to look deeper into the image. The abstract forms do not resolve into any specific shapes, leaving the interpretation to the imagination of the viewer.
The juxtaposition of the three panels creates a visual dialogue between the colors and forms, with each panel contributing to a narrative of organic growth, transformation, and the cyclical nature of creation and dissolution. This triptych is likely meant to be experienced as a continuous loop, where the boundaries of each panel are not the end but rather a transition to a new beginning, reflecting the generative algorithm’s perpetual motion.
2 panels 90 Ã— 40 cm each; OSB, car paint, deterministic randomness
95 Ã— 135 cm; MDF, car paint, deterministic randomness