Third Nature II - Large Scale Mural Artwork

generative-systems 04/2022
Year
2022
Client
L'unique Caen (Vincent Auvray)
Location
Caen, France
Scale
Large-scale public mural
Technology
Third Nature generative system

Third Nature II is a large-scale mural artwork by Studio A N F, delivered in February 2022 for a public space in Caen, France, commissioned by Vincent Auvray of L'unique Caen. The mural stages lush foliage against a high-rise-building backdrop as a large-scale trompe-l'œil, produced with the studio's Third Nature generative system. Previous artists in the same public-space programme include Gregory Chatonsky and Sabrina Ratte.

In February of 2022 we were commissioned by Vincent Auvray of L'unique Caen to create a nature themed Mural for a public Space in Caen, France. Previous artists include Gregory Chatonsky and Sabrina Ratte.

Third Nature II — large-scale mural with floral trompe-l’œil in Caen, France
Large colorful mural depicting a vibrant underwater scene with fish and coral, set against an urban backdrop featuring a
Third Nature II — mural detail in the Caen public space

The artwork shows a large mural of lush, vibrant foliage set against the backdrop of an urban environment, specifically juxtaposed with a high-rise building. The mural's photographic quality and the large scale on which it is painted create an immersive experience, echoing the tradition of trompe-l'œil, a technique used since the Renaissance to trick the eye into perceiving painted detail as a three-dimensional environment.

The dense, richly colored plant life in the mural brings to mind the exuberant tropical scenes painted by the Post-Impressionist artist Henri Rousseau. His works often featured jungles with lush, imagined vegetation. The use of intense, saturated colors in the mural also has parallels with the Fauvist movement, where artists like Henri Matisse used vivid, non-naturalistic colors.

This fusion of naturalistic detail with a heightened color palette can also be seen as a nod to the tradition of large-scale natural history and botanical illustration, which has its roots in the detailed studies of artists and naturalists from the 17th century onwards.

In contrast to its historical references, the mural is distinctly contemporary, engaging with public art practices that bring art into communal urban spaces, often as a means of revitalization or to bring the serenity and beauty of nature into stark, man-made environments. It reflects a modern desire to reconnect with the natural world amidst urban settings.